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For concert appearances, Jeff Tyzik is represented exclusively by: Laura L. Hong
WORK |
LABEL/ROLE |
YEAR |
| Gershwin Rochester Philharmonic Orchestra Jon Nakamatsu, piano |
Harmonia Mundi (co.) |
2007 |
| Home for the Holidays Winnipeg Symphony Orchestra |
(arr., p, c, co) | 2005 |
| Got Swing! Cincinnati Pops |
Telarc (a) |
2003 |
| Holiday Pops Vancouver Symphony |
VSO Records (arr., p, c, co.) |
2000 |
| Holiday Pops Live! II Rochester Philharmonic Orchestra |
(arr., p, c, co.) | 1999 |
| Chamber Jazz | (arr., p, c, co.) | 1999 |
| Holiday Pops Live! Rochester Philharmonic Orchestra |
(arr., p, c, co.) | 1998 |
| Encore! 75 Rochester Philharmonic Orchestra |
1997 | |
| High Class Brass Allen Vizzutti, trumpet |
De Haske (a, p, c) |
1997 |
| The Carnival of Venus Allen Vizzutti, trumpet |
Summit (arr., p, c, co.) |
1996 |
| Brassmatazz Brass Band of Battle Creek (BBBC) Marvin Stamm, trumpet |
(arr., p, c, co.) | 1996 |
| Sophistication Cabo Frio |
Evergreen Records (p, c, arr.) |
1992 |
| It’s Alright to Love Glenn Medeiros |
Amherst Records (p, c) |
1992 |
| Stylistics Christmas The Stylistics |
Amherst Records (p, c, arr.) |
1992 |
| Love Talk The Stylistics |
Amherst Records (p, c, arr.) |
1991 |
| Once More with Feeling* Doc Severinsen & The Tonight Show Band *Grammy Award Nominee |
Amherst Records (p, c, arr.) |
1991 |
| Merry Christmas from Doc Severinsen & The Tonight Show Band with Symphony Orchestra, The Desert Bell Choir, The Los Angeles Children’s Choir |
Amherst Records (p, c, arr.) |
1991 |
| Arial View Gamalon |
Amherst Records (p, c, arr.) |
1990 |
| Distant Dreams | Amherst Records (a, p, c) |
1990 |
| High Class Brass Society for Chamber Music of Rochester |
Perelandra Records (a, p, c) |
1990 |
| Not Me Glenn Medeiros Contains Tyzik composition “You’re My Woman, You’re My Lady” |
Amherst Record (p, c) |
1989 |
| Project: Activation Earth Ernie Watts & Gamalon |
Amherst Records (p, c, arr.) |
1989 |
| Live Jazz Nancy Kelly, vocal |
Amherst Records (p, c, arr.) |
1988 |
| Facets* Doc Severinsen *Grammy Award Nominee |
Amherst Records (p, c, arr.) |
1988 |
| Big Band Hit Parade Cincinatti Pops Doc Severinsen, conducting |
Telarc (a) |
1988 |
| Glenn Medeiros Glenn Medeiros Contains “Nothin’s Gonna Change My Love For You,” re-mixed and produced by Tyzik |
PolyGram Records (p, c) |
1987 |
| The Tonight Show Band with Doc Severinsen* Vol. 1 *Grammy Award Nominee |
Amherst Records (p, c, arr.) |
1987 |
| The Tonight Show Band with Doc Severinsen* Vol. 2 *Grammy Award Winner |
Amherst Records (p, c, arr.) |
1986 |
| Farthest Corner of My Mind | Amherst Records (a, p, c) |
1986 |
| Smile | Polydor Records (a, p, c) |
1985 |
| Jammin’ In Manhattan | Polydor Records (a, p, c) |
1983 |
| Radiance | Capitol Records (a, p, c) |
1982 |
| Fun and Games Chuck Mangione |
A&M Records (p) |
1980 |
| Prophecy | Capitol Records (a, p, c) |
1980 |
| Prophecy | Prophecy Records (a, p, c) |
1979 |
| The London Sessions Vol. 1 London Symphony Orchestra Concerto for Trumpet (Vizzutti/Tyzik) Doc Severinsen, conducting |
Firstline Records (p, c, arr.) |
1979 |
| The London Sessions Vol. 2 Royal Philharmonic Orchestra |
Firstline Records (p, c, arr.) |
|
| Live at the Hollywood Bowl Chuck Mangione |
A&M Records (p) |
1978 |
| Children of Sanchez Chuck Mangione |
A&M Records (p) |
1976 |
| Key: a–artist arr.–arranger c–composer co.–conductor p–producer | ||

Here are some of the best things I heard this year:
Gershwin, Piano Concerto in F, Rhapsody in Blue, Cuban Overture;
Jon Nakamatsu, piano, with Jeff Tyzik conducting the Rochester
Philhamonic (Har. Mundi)
Alex Ross:
The Rest Is Noise
Articles, a blog, and a book by the music critic of The New Yorker.
Pianist Jon Nakamatsu and "pops" conductor Jeff Tyzik team up for what unquestionably is the best Gershwin disc to come along in years.
David Hurwitz
Classics Today
10/10/2007
5 Stars
Frankly, I was going to skip thru the Rhapsody in Blue due to overexposure, but just a short ways into it I was captured for the duration. I've heard/seen both Nakamatsu and Tyzik recently in live performance (not in these works), and they seem like a perfect duo to bring out the jazzy , enthusiastic tone of all this music of Gershwin. The Rhapsody sounds fresher and more cheeky than I've heard from most other recordings, and some of the more difficult piano passages in both works are run off with amazing clarity and acceleration by Nakamatsu. The Cuban Overture was the result of a vacation in Havana which Gershwin enjoyed, and is brimming with island rhythms and plenty of appropriate percussion to the fore. HM's transparent hi-res surround captures the concert hall impression of this excellent orchestra. Most highly recommended.
John Sunier
Audiophile Audition
Copyright 2007
